Features
“The buoyant progress of DiDonato's career... has been one of the happiest opera events of the past decade.”- Opera News
435 South Magazine
by Alex Hoffman
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Prairie Village’s own Joyce DiDonato returns home to sing with the Kansas City Symphony this month.
No offense to the Prince-penned Sheila E tune from her teenage days, but Joyce DiDonato really is leading the glamorous life as one of the world’s finest mezzo-sopranos.
musica 234 | di Stephen Hastings
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Joyce DiDonato alla ricerca della verità
Per chiunque avesse la sensibilità per comprenderla, l’Elena interpretata da Joyce DiDonato, nelle recite della Donna del lago alla Scala lo scorso novembre è stata un esempio paradigmatico di creatività musicale che si trasforma subito in drammaturgia.
Opera News | by Brian Kellow
Joyce DiDonato — probably the most in-demand lyric-coloratura mezzo in the world — has become a star by playing up, not down, to her audiences. She tells BRIAN KELLOW how proud she is of opera — and how proud she is to be an opera singer.
Corriere della Sera | by Valeria Crippa
“Con il make-up giusto ho una doppia identità. Ma soltanto in scena”. L’interprete della “Donna del Lago” alla Scala e la “strategie” per cambiare volto e sesso sul palco.
Keen to bring the classical music world closer to her fans, mezzo-soprano and keen writer and photographer Joyce DiDonato has become opera’s most avid ‘blogger’, as Sarah Kirkup discovers.
Los Angeles Times | Lively and engaging (she writes her own blog), the mezzo-soprano from Kansas City is a breed apart from the untouchable singers of years past. By James C. Taylor.
Opera News | by OUSSAMA ZAHR
Mezzo Joyce DiDonato sets the standard for Rossini singing today. But that may not have been obvious at the beginning of her career. I’m thinking of her performance as Rosina in an atrocious, Mideast-inspired, seraglio-style staging of Il Barbiere di Siviglia at Paris Opera in 2002.
SFist | Mezzo-soprano diva Joyce DiDonato last seduced us here as Octavian in Strauss’s Rosenkavalier and is returning on Monday night for her first ever San Francisco Performances recital, with pianist John Churchwell.
New York Times | By KATRINE AMES
DESPITE her best efforts — and she almost certainly sang “Hopelessly Devoted to You” better than any other fourth grader in Prairie Village, Kan. — Joyce Flaherty did not grow up to be a pop star. In college she ached to be the world’s coolest high school music teacher: another dream gone bust. Instead, she became what even she could hardly have imagined a decade ago: Joyce DiDonato, gilt-edged opera star.